Last week’s project involved the merging of two sketches into a mini-quilt, using one of my most favourite fabrics, Cecelia from Ikea. It’s also my first foray into hand quilting. After visiting the V&A quilt exhibition, I really wanted to hand quilt something — I doubt this’ll be in the V&A in 300 years, and I’m not sure I ever see me hand quilting an actual full-sized quilt, but I love the effect so much more than machine quilting.
Energy levels are low at the moment, but everything’s still getting done.… eventually. Just a little bit more slowly. Still, at least if there’s an alien invasion and only the people who have cut out 208 cream 9cm fabric squares can survive, we’ll be okay:
Science fact: all of the best interiors photos have indistinct piles of stuff in them in the background.
After what feels like a million years of having the many stages of quilt evolution lying around my living room, the quilt is finally done! As of this morning it is bound, washed, and waiting to be used. It is wonky, it is random, and — if I may say so myself — it’s wonderful.
Disturbingly, given how much I was dreading it, I think my favourite part of the whole thing was handsewing the binding. I started last night, and finished this morning — a good few hours of work, but slightly addictive as you watch the quilt really form in front of you. Because we go away later today, my obsessive part kicked in once I’d started and wanted it all finished before I left and, courtesy of a lousy night’s sleep, it was.
What’s that? You want a wonky, badly framed bird’s eye view of the whole quilt top? Well, that’s lucky…
You can see in this photo the corner of the quilt not bound in yellow, but by scraps of the top — there wasn’t quite enough yellow to go round, and I was loathe to go out and buy more fabric, so improvised with what I had left. I actually quite like it; it’s makeshift and unplanned, much like the rest of the quilt.
The toughest part for me was manhandling the whole thing through the sewing machine during the quilting process — it was surprisingly physical work for me, though I’m a feeble weakling at the best of times. I was pretty anxious about making the binding — after a failed attempt, I finally sat on Tuesday night and measured out. Just having Al in the room while I did so helped me to keep it all in perspective - I really hope all nervous quilters have helpful live-in engineers to calm them down and show them how best to use a ruler.
For now though, I’m just excited with the finished product and immodestly impressed with myself for actually finishing a project! I have very much been taken with the quilting bug, and want to get started on my next project as soon as we’re home. Luckily, someone has been spending all of her money on quilting fabrics for the last while, so there’s no end of options for Quilt II!
Embroidery, it turns out, is a bit addictive. Something both fun and creative you can do whilst watching the televisual celebration of bonkerness, Eurovision? Yes please.
The idea of working from a pattern seems a bit dull to me, not to mention ever-so-slightly scary, so I’m improvising with freeform, seat-of-your-pants stitching. This bird is a regular doodle of mine, roughly drawn onto some cotton with a fabric pencil and then even more roughly drawn in with thread and fabric scraps from EL Quilto (which is slowly getting there..!)
Once bird was done, I moved onto my next plan, which was a raincloud. Roughly inspired by a collograph I made at Edinburgh Printmakers, this was going to be a happy raincloud, but I guess he (or I) just got a bit overtired during the stitching.
For some reason, I only seem able to embroider at weekends, but i’m hoping that might start to change as I draw some stronger dividing lines between work and play. I’ve grabbed a place at Edinburgh Screenworks for June and July, with a view to extending into forever, depending on how it works out. It’s still an exciting novelty to set out for work in the, well, afternoon — we’ll see how long that lasts!
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